Posted by gio23 on February 17, 2007
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Posted by gio23 on February 17, 2007
What a week I had, while reading Faubert. All of a sudden I started thinking about Paris with its flair and excitement. Though the trip was 20 years ago, my fond memories were vivid. Without noticing it, this past week I put on my favorite opera “La Boheme”which takes place in Paris, http://en.wikipedia.org/wiki/Sc%C3%A8nes_de_la_vie_de_Boh%C3%A8me, the Pavarotti-Freni edition (Alanza-Gerorgiou, a husband and wife team gives the opera a more realistic love element). Of course with most operas someone dies, but not before Puccini (a Romantic) mesmerizes you with his unforgettable melodies “O soave fanciulla”.
I of course took out pictures of the Paris trip, focusing on the impressionist art which I love.(Monet my favorite),
http://www.ibiblio.org/wm/paint/auth/monet/paris/capucines.jpg
all of which can be seen in the Muse de Orsay, the most unique museum in the world, a 19th century train station.
To top off the week, I was disappointed with the movie “Marie Antoinette”, was a bit unrealistic especially with the music selection starting with Blondie.
Of course all the guys in the class are asking themselves, “where do I a get a job like Frederick’s, able to support four women at the same time?”
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Posted by gio23 on February 13, 2007
http://triggur.org/inferno/big/005.jpg
According to Dr. Conway, in the poem “Benedetto sia’l giorno, e ‘l mese, et l’anno” Petrarca’s references and passion to love and nature has Romantic elements in it.This interpretation of Dante and Virgilio in the Inferno Canto I by Dore (famous for his illustration of Don Quixote), takes us to a naturalistic part of the outer shell of hell (below Jerusalem). Can Dante’s poetry also be considered Romantic? Is hell part of Nature? Is it the artist’s interpretation the only part that is Romantic?
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